Results for ' Du Puys'

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  1.  19
    Tópica, retórica y dialéctica en la jurisprudencia: estudios en homenaje a Francisco Puy.Francisco Puy Muñoz & Milagros Otero Parga (eds.) - 2011 - [Santiago de Compostela]: Universidade de Santiago de Compostela.
    En opinión de Francisco Puy, el jurista debe ser una persona que agarre decidido una experiencia jurídica siempre conflictiva, la describa, la valores y ofrezca una solución para limpiarla, pacificando los problemas que presenta de apropiación, transmisión, reparto, violación y reposición de derechos. Una experiencia jurídica se inicia cuando un individuo le dice a otro que una cosa es suya y el otro o los otros asienten o consienten en que es suya. Una experiencia jurídica crece, tornándose problemática, cuando un (...)
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  2.  48
    Interpretive Authenticity: Performances, Versions, and Ontology.Nemesio G. C. Puy - 2022 - Estetika: The European Journal of Aesthetics 59 (2):135-152.
    _Winner of the Fabian Dorsch ESA Essay Prize._ Julian Dodd defends the view that, in musical work-performance practice, interpretive authenticity is a more fundamental value than score compliance authenticity. According to him, compliance with a work’s score can be sacrificed in cases where it conflicts with interpretative authenticity. Stephen Davies and Andrew Kania reject this view, arguing that, if a performer intentionally departs from a work’s score, she is not properly instantiating that work and hence not producing an authentic performance (...)
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  3.  25
    Nested Types, Modal Claims and Musical Works. Another Go.Nemesio García-Carril Puy - 2023 - Journal of Aesthetics and Art Criticism 81 (3):400-403.
    I have recently defended two ideas (Puy 2022a). The first is that our modal claims about musical works do not imply that they are modally flexible entities, i.e.
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  4.  46
    Musical works, types and modal flexibility reconsidered.Nemesio García-Carril Puy - 2022 - Journal of Aesthetics and Art Criticism 80 (3):295–308.
    Guy Rohrbaugh and Allan Hazlett have provided two arguments against the thesis that musical works are types. In short, they assume that, according to our modal talk and intuitions, musical works are modally flexible entities; since types are modally inflexible entities, musical works are not types. I argue that Rohrbaugh’s and Hazlett’s arguments fail and that the type/token theorist can preserve the truth of our modal claims and intuitions even if types are modally inflexible entities. First, I consider two alternatives (...)
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  5.  40
    Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music.Nemesio García-Carril Puy - 2020 - Journal of Aesthetics and Art Criticism 78 (2):183-196.
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  6.  45
    Nested Types and Musical Versions: Replying to Davies’s Challenges.Nemesio García-Carril Puy - 2021 - Journal of Aesthetics and Art Criticism 79 (2):256-260.
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  7.  34
    Descriptivism and the Determination Thesis: an Untenable Marriage in the Metaontology of Art.Nemesio G. C. Puy - 2022 - Philosophical Quarterly 72 (3):595-614.
    The determination thesis is the idea that art-ontological facts are determined by the folk ontological conception of artworks embedded in our artistic practices. From this thesis, descriptivism in the metaontology of art has been often characterized as the view that the task of art-ontology is to describe that folk conception. Amie Thomasson and Andrew Kania provide two paradigmatic accounts within this path. In this paper, I argue that this descriptivist approach is ungrounded because the determination thesis suffers from presupposition failure. (...)
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  8.  40
    Eliminating Martin’s substratum-trope categorial ontology.Nemesio G. C. Puy - 2021 - Synthese 199 (5-6):13009-13033.
    Impure Eliminativism about Categories is the idea that ontological categories are not wholly eliminable insofar as they have epistemic value to understand the nature of ordinary and scientific objects. From the perspective of Impure Eliminativism, different criticisms have been addressed to substantialist approaches in metaphysics and, in particular, to John Heil’s substance-mode two-category ontology. The aim of this paper is to contribute to this critical project by extending its scope to C. B. Martin’s substantialism. The thesis I defend is that (...)
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  9.  30
    A twist on the historically authentic musical performance.Nemesio G. C. Puy - 2024 - Philosophical Studies 181 (10).
    According to the mainstream view in the philosophy of music, the only way to authentically perform works of past centuries is according to the ideal of Historically Authentic Performance (HAP). This paper aims to show that, despite recent defences of the mainstream view, it lacks motivation, and hence should be abandoned or revised. As we shall see, first, there is no plausible account of HAP as a final and intrinsic value consistent with the work-focused teleology of work-performance. Second, a plausible (...)
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  10. La expresión" argumementación jurídica" y sinónimos: un análisis tópico.Puy Muñoz & Francisco de Paula - 2004 - In Francisco Puy Muñoz & Jorge Guillermo Portela (eds.), La argumentación jurídica: problemas de concepto, método y aplicación. [Santiago de Compostela]: Universidade de Santiago de Compostela.
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  11.  61
    Methodological worries on recent experimental philosophy of music.Nemesio García-Carril Puy - 2022 - Philosophical Psychology 35 (3):410-441.
    This paper discusses methodological issues of two recent experiments conducted by Christopher Bartel, and Elzė S. Mikalonytė and Vilius Dranseika, respectively, about the repeatability and individuation of musical works. I argue, first, that the reliability of their results about people’s intuitions in our everyday musical practices can be questioned due to the use of descriptions instead of musical stimuli of the works and performances involved in the cases tested. This procedure is prone to place participants in an epistemic situation in (...)
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  12.  43
    The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types.Nemesio García-Carril Puy - 2019 - Journal of Aesthetics and Art Criticism 77 (3):241-254.
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  13. El pensamiento tradicional en la España del siglo XVIII, 1700-1760.Francisco Puy Muñoz - 1966 - Madrid,: Instituto de Estudios Políticos.
     
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  14.  8
    Glosas gratulatorias a Tópica, retórica y dialéctica en la jurisprudencia.Francisco Puy Muñoz - 2013 - Santiago de Compostela: Universidade de Santiago de Compostela.
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  15.  13
    Lecciones de derecho natural.Francisco Puy Muñoz - 1967 - Barcelona: Dirosa.
    1. Introducción a la ciencia del derecho natural.
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  16. La expresión “argumentación jurídica” y sinónimas. Un análisis tópico.Francisco Puy Muñoz - 2004 - In Francisco Puy Muñoz & Jorge Guillermo Portela (eds.), La argumentación jurídica: problemas de concepto, método y aplicación. [Santiago de Compostela]: Universidade de Santiago de Compostela.
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  17.  47
    Musical Works’ Repeatability, Audibility and Variability: A Dispositional Account.Nemesio García-Carril Puy - 2019 - Filozofija I Društvo 30 (1):54-72.
    This paper is devoted to face recent views in the ontology of music that reject that musical works are repeatable in musical performances. It will be observed that musical works’ repeatability implies that they are audible and variable in their performances. To this extent, the aim here is to show that repeatability, audibility and variability are ontologically substantive features of musical works’ nature. The thesis that will be defended is that repeatability, audibility and variability are dispositional non-aesthetic properties of musical (...)
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  18.  11
    La comprensión de la moralidad en el pensamiento español del siglo XVIII: 1700-1760.Francisco de Paula Puy Muñoz - 2022 - Anales de la Cátedra Francisco Suárez 2 (1):87-118.
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  19.  18
    Julian Dodd. Being True to Works of Music.Nemesio García-Carril Puy - 2021 - Journal of Aesthetics and Art Criticism 79 (2):268-272.
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  20. Du plaisir d'une servante.Isaac du Ryer - 2011 - Philosophical Forum 42 (4):420-420.
     
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  21.  14
    Ethical Issues on Musical Appropriation.Nemesio García-Carril Puy - 2021 - Disputatio 13 (62):329-354.
    This paper aims to shed light on the question of whether musical appropriation is ethically unobjectionable. James Young (2021) has recently advanced a position on this topic, according to which, whereas the appropriation of a whole work is uncontroversially non-permissible, the appropriation of parts of a work is usually permissible. He grounds this view in ontological matters and in a criterion of fair use in terms of economic harm to the source work’s composer. I argue that, pace Young, we cannot (...)
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  22.  33
    La argumentación jurídica: problemas de concepto, método y aplicación.Francisco Puy Muñoz & Jorge Guillermo Portela (eds.) - 2004 - [Santiago de Compostela]: Universidade de Santiago de Compostela.
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  23.  44
    La belleza en Charles S. Peirce: Origen y alcance de sus ideas estéticas by Sara Barrena.Nemesio García-Carril Puy - 2016 - Transactions of the Charles S. Peirce Society 52 (4):652-658.
    La belleza en Charles S. Peirce: Origen y alcance de sus ideas estéticas is a clearly written and well-structured book on Peirce’s aesthetics. Barrena’s thesis is that aesthetics, conceived as a normative science, is central to Peirce’s philosophical system, and especially to his pragmaticism. The goal of the book is twofold: it aims to offer an analysis of the biographical and theoretical aspects of Peirce’s interest in aesthetics and the arts and purports to elaborate a pragmaticist aesthetics. Both objectives can (...)
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  24. Musical Minimalism and the Metaphysics of Time.Nemesio G. C. Puy - 2018 - Revista Portuguesa de Filosofia 74 (4):1267–1306.
    I defend in this paper the thesis that there is a complex relation between minimalist musical works and the metaphysics of time, involving ontological, epistemological and axiological issues. This relation is explained by means of three sub-theses. The first one is that minimalist musical works literally exemplify –in Goodman’s sense–the properties ascribed to time by the metaphysical static view: 1) minimalist works intrinsically possess those properties by being composed according to the technique of minimal repetition; 2) they extrinsically refer to (...)
     
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  25. On the ontological category of computer-generated music scores.Nemesio G. C. Puy - 2017 - Journal of Creative Music Systems 1 (2).
    This article is devoted to examining the ontological foundations of computer-generated music scores. Specifically, we focus on the categorial question, i.e., the inquiry that aims to determine the kind of ontological category that musical works belong to. This task involves considerations concerning the existence and persistence conditions for musical works, and it has consequences for the determination of what it is to compose a musical work. Our contention is that not all the possible answers to the categorial question in the (...)
     
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  26. Analysis of Teaching Practices During the COVID-19 Pandemic: Teachers’ Goals and Activities in Virtual Classrooms.María-Puy Pérez Echeverría, Juan-Ignacio Pozo & Beatriz Cabellos - 2022 - Frontiers in Psychology 13.
    To research teachers’ priorities on what was to be taught and learned during the COVID-19 lockdown, we asked Spanish Primary and Secondary teachers to choose and describe the activity they preferred among those carried out with their students during the pandemic. Our interest was to investigate what really happened in the classrooms, the type of learning favored by the practices, and the agreement between the teacher’s goals and their teaching We obtained 272 activities that we analyzed according to the proposed (...)
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  27.  10
    John brown: (the oxford w. e. b. du bois).W. E. B. Du Bois & David R. Roediger - 2014 - Oxford University Press.
    A moving cultural biography of abolitionist martyr John Brown, by one of the most important African-American intellectuals of the twentieth century. In the history of slavery and its legacy, John Brown looms large as a hero whose deeds partly precipitated the Civil War. As Frederick Douglass wrote: "When John Brown stretched forth his arm... the clash of arms was at hand." DuBois's biography brings Brown stirringly to life and is a neglected classic.
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  28.  11
    El cooperativismo en la "Mater et Magistra".Francisco de Paula Puy Muñoz - 2022 - Anales de la Cátedra Francisco Suárez 2 (2):377-383.
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  29. El problema del conocimiento en el pensamiento español del siglo XVIII: 1700-1760.Francisco de Paula Puy Muñoz - 1961 - Anales de la Cátedra Francisco Suárez 1:191-226.
     
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  30. Patrice de La Tour du Pin.J. -M. du Bois - 1976 - Nova et Vetera 51 (2):142-151.
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  31.  65
    Plurality Rule Works In Three-Candidate Elections.Bernardo Moreno & M. Socorro Puy - 2009 - Theory and Decision 67 (2):145-162.
    In the citizen–candidate approach each citizen chooses whether or not to run as candidate. In a single-peaked preference domain, we find that the strategic entry decision of the candidates eliminates one of the most undesirable properties of Plurality rule, namely to elect a poor candidate in three-candidate elections since as we show, the Condorcet winner among the self-declared candidates is always elected. We find that the equilibria with three candidates are basically 2-fold, either there are two right-wing candidates and a (...)
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  32.  13
    Was unsere Welt im Innersten zusammenhält: Hans-Peter Dürr im Gespräch mit bedeutenden Vordenkern, Philosophen und Wissenschaftlern.H. -P. Dürr, Roland R. Ropers & Thomas Arzt (eds.) - 2012 - Berlin: Scorpio.
  33.  15
    Musical works’ repeatability, audibility and variability: A dispositional account.Puy García-Carril - 2019 - Filozofija I Društvo 30 (1):54-72.
    This paper is devoted to face recent views in the ontology of music that reject that musical works are repeatable in musical performances. It will be observed that musical works? repeatability implies that they are audible and variable in their performances. To this extent, the aim here is to show that repeatability, audibility and variability are ontologically substantive features of musical works? nature. The thesis that will be defended is that repeatability, audibility and variability are dispositional non-aesthetic properties of musical (...)
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  34. El derecho y el estado en Nietzsche.Puy Muñoz & Francisco[From Old Catalog] - 1966 - Madrid,: Editora Nacional.
     
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  35.  11
    La idea del hombre en el pensamiento español del siglo XVIII: 1700-1760.Francisco de Paula Puy Muñoz - 2022 - Anales de la Cátedra Francisco Suárez 2 (2):293-332.
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  36. Du Guoxiang Zhongguo si xiang shi lun ji.Guoxiang Du & Jinquan Li - 1997 - Shantou Shi: Xin hua shu dian jing xiao. Edited by Jinquan Li & Hongsheng Li.
     
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  37.  7
    Introduction à la théorie générale et à la philosophie du droit.Claude Du Pasquier - 1988 - Paris,: Delachaux & Niestlé s. a..
  38.  59
    Y a-t-il une traduction chinoise du mot « être »?Xiaozhen Du - 2011 - Rue Descartes 72 (2):17.
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  39. Between Thanatos and Eros: Erich Fromm and the psychoanalysis of social networking technology use.Jean du Toit - 2019 - South African Journal of Philosophy 38 (2):136-148.
    Social networking technologies have become a ubiquitous framework for social interaction, serving to organise much of the individual’s social life. Such technological structuring affects not merely the individual’s psyche (as a psychotechnics), it also affects broader aspects of society (as a socio-technics). While social networking technologies may serve to transform society in positive ways, such technologies also have the potential to significantly encroach upon and (re) construct individual and cultural meaning in ways that must be investigated. Erich Fromm, who psychoanalytically (...)
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  40.  1
    Œuvres du cardinal de Richelieu.Armand Jean du Plessis Richelieu - 1929 - Paris,: J. Tallandier. Edited by Roger Gaucheron & Jacques Bainville.
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  41.  15
    Being True to Works of Music. Oxford University Press, 2020, 208 pp., $60.00 cloth. [REVIEW]Nemesio García-Carril Puy - forthcoming - Journal of Aesthetics and Art Criticism.
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  42.  17
    The Challenge of Quantification: An Interdisciplinary Reading.Monica Di Fiore, Marta Kuc-Czarnecka, Samuele Lo Piano, Arnald Puy & Andrea Saltelli - 2023 - Minerva 61 (1):53-70.
    The present work looks at what we call “the multiverse of quantification”, where visible and invisible numbers permeate all aspects and venues of life. We review the contributions of different authors who focus on the roles of quantification in society, with the aim of capturing different and sometimes separate voices. Several scholars, including economists, jurists, philosophers, sociologists, communication and data scientists, express concerns or identify critical areas of our relationship with new technologies of ‘numericization’. While mindful of the important specificities (...)
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  43. La prière du Christ et la prière du Chrétien.I. La prière du Christ - 1952 - Revue de Théologie Et de Philosophie 2:97.
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  44. El sentido de mi filosofía: tres introspeciones.Francisco de Paula Puy Muñoz - 1975 - Anales de la Cátedra Francisco Suárez 15:323-337.
     
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  45. (2 other versions)Introduction à la théorie générale et à la philosophie du droit.Claude Du Pasquier - 1937 - Paris: Recueil Sirey; [etc., etc.].
     
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  46. Les modalités du retour sur soi d'après un moraliste juif du xiip siècle, rabenu yona gerondi.Siècle du Xiip - 1970 - Revue de Théologie Et de Philosophie 20:165.
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  47.  13
    J. F. Sellés, Las virtudes teologales según Leonardo Polo, Cuadernos de Anuario Filosófico, Serie de Pensamiento Español, nº 72, Universidad de Navarra, Pamplona, 2018, 106 pp. [REVIEW]Juan Pablo Puy - 2019 - Studia Poliana 21:181-182.
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  48. Religion, the Nature of Ultimate Owner, and Corporate Philanthropic Giving: Evidence from China.Xingqiang Du, Wei Jian, Yingjie Du, Wentao Feng & Quan Zeng - 2014 - Journal of Business Ethics 123 (2):235-256.
    Using a sample of Chinese listed firms for the period of 2004–2010, this study examines the impact of religion on corporate philanthropic giving. Based on hand-collected data of religion and corporate philanthropic giving, we provide strong and robust evidence that religion is significantly positively associated with Chinese listed firms’ philanthropic giving. This finding is consistent with the view that religiosity has remarkable effects on individual thinking and behavior, and can serve as social norms to influence corporate philanthropy. Moreover, religion and (...)
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  49.  70
    The souls of Black folk.W. E. B. Du Bois - 1987 - Oxford University Press.
    'The problem of the twentieth-century is the problem of the color-line.' Originally published in 1903, The Souls of Black Folk is a classic study of race, culture, and education at the turn of the twentieth century. With its singular combination of essays, memoir, and fiction, this book vaulted W. E. B. Du Bois to the forefront of American political commentary and civil rights activism. The Souls of Black Folk is an impassioned, at times searing account of the situation of African (...)
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  50.  28
    W.E.B. Du Bois.W. E. B. Du Bois - 2010 - Routledge.
    Housed in one volume for the first time are several of the seminal essays on Du Bois's contributions to sociology and critical social theory: from DuBois as inventor of the sociology of race to Du Bois as the first sociologist of American religion; from Du Bois as a pioneer of urban and rural sociology to Du Bois as innovator of the sociology of gender and culture; and finally from Du Bois as groundbreaking sociologist of education and cultural criminologist to Du (...)
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